![]() Baxter composed more than 250 scores for feature films, television and radio shows; his compositions include the whistling theme for the TV series ``Lassie.'' He also worked as musical director on many albums for Capitol Records from the 1940s through the 1960s. Among his credits are the conducting of Nat King Cole's recording of ``Too Young.'' Feature scoring credits included ``The Pit and the Pendulum,'' ``Black Sunday,'' ``The Raven,'' ``Fall of the House of Usher,'' ``The Man With the X-Ray Eyes,'' ``Frogs,'' ``Beach Party,'' ``Beach Blanket Bingo,'' ``Operation Bikini,'' ``How to Stuff a Wild Bikini,'' ``Dr. Goldfoot and the Bikini Machine,'' and ``Black Sabbath.'' Baxter's career began in the 1940s playing saxophone in Los Angels jazz clubs, backing performers such as Billie Holiday. As a singer, he was a member of Mel Torme's backup group, the MelTones, and performed with Artie Shaw. ![]() Album credits featuring Baxter as conductor-arranger-composer include ``Ritual of the Savage,'' ``Ports of Pleasure,'' ``Tamboo,'' and ``Baxter's Best.'' Baxter orchestrated and conducted Yma Sumac's debut album, ``Voice of the Xtabay.'' He also composed ``Quiet Village,'' which was a hit for Martin Denny in 1959. He was the music arranger for the Bob Hope and Abbott & Costello radio shows, conducting his own orchestra. His television resume included ``Music of the Sixties (The Les Baxter Special),'' ``Buck Rogers in the 21st Century,'' ``Cliffhangers,'' ``The Milton Berle Show,'' ``The Tycoon'' and ``The Gumby Special.'' In the mid 1950s, he appeared in several features including ``College Capers'' (Universal, 1954) with Eileen Barton and ``Untamed Youth'' (1957) with Mamie Van Doren and Eddie Cochran. Baxter last performed in public at the Century Club in Century City on Nov. 16, 1995. He is survived by a daughter, son and grandson. |